#Ipaint marty smith how to#
#Ipaint marty smith software#

I’m here, and they’re together, and I crash that thing all the time! And before it was like “Oh God…” But now it’s become my little badge of honor, in a way. Very well conceived, or maybe it’s not matched up, or whatever reason And I don’t know if that’s because my idea wasn’t Will hate this-is I love trying to push it-the technology-to the limit, I have to say though, one thing I really enjoy-and Nancy

#Ipaint marty smith how to#

How to solve problems, but how do I filter out exactly what I want to do? And sometimes, how do I even explain exactly what I’m trying to do?ĮA: Given the parameters that you find yourself working in. And not that it’s aīad thing, it’s great, because everyone here is so helpful and knows Yeah-and it’s easier when you’ve got one voice!. There’s figuring out, OK, which one is going to be the best way? And youĮA: And I guess as you’re going through the year, those things are occurring to you again, also. The people that are here-there’s like nine ways to solve a problem, and

#Ipaint marty smith software#

I think the vast amount of possibilities within the software and all Kind of moment, and then it all has to come back. Learning curve: part of it is that I’m here for four days, and them I’mĭone, and so the first day is kind a “Wait, where’s what? What’s that?” Well, I think the software, particularly Freeform, is still very much a I just keep-I don’t want to say destroying nature, but keepĮA: Is there a most challenging aspect of this project? Project I’ve done I’ve taken some facet of nature and turn it into aįile. It, what I do here, it’s another sentence in the same paragraph, as farĪs where nature and technology collide and I think that’s why every Way that this represents itself, at least the way I try to manipulate And take this naïveĪpproach-I don’t know anything about it. Representing nature based on a thumbnail. Make every little pixel, and I put it together as kind of a naïve way of Technology, and kind of how I collide those things together…Normally I I think there’s a lot: So much of my work is about nature and Know exists, and it’s just another way of manipulating materials.ĮA: What’s the most interesting part of the process, if there is one?

Trying to solve a problem what tools do I know how to use, what do I I think this is a similar kind of thing: I’m I think so, because I normally use a lot of table saw and I know how It’s just become another tool I have in my head that I can sort of thinkĮA: Personally, process-wise, is having the concept of the software in your head throughout the year helpful? Going to be put together and how they’re going to build, and I think The technical stuff, I think that I found myself thinking about itĭuring the year, conceptually and materialistically: how things are Computer.” Once I came here and had theĮxperience of getting to know the software, and how it worked, and all Smith: The first time I didn’t really know what to expect. Piece for Rapid Artists, and incorporating 3D modeling and rapidĮmily Aberg: What’s changed since the first year of the project? We talked about the upcoming show in Pittsburgh, PA, his new

Smith has created sculptures that depict pixilated images of livingĬreatures.

One of our long-time SculptCAD Rapid Artists. Recently I got a chance to sit down with sculptor Shawn Smith, Interview with SculptCAD Rapid Artist Shawn Smith

Turner Carroll Gallery | 725 Canyon Road | Santa Fe, NM 87501 | 50 |. Opening Reception - Friday May 17th from 5 - 7pm Each works in unconventional ways,Ībstracting the ordinary in a way that tells us something about Pixel This presents new work by two Texas-based artists, This: Shawn Smith & Rusty Scruby May 17 - JTurner Carroll Gallery, Santa Fe