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Daily Themed Crossword Musical Minis Answers.Daily Themed Crossword Mini Masters Answers.Daily Themed Crossword Happy Holidays Answers.Daily Themed Crossword Halloween Minis Answers.Daily Themed Crossword Easy Peasy Answers.Daily Themed Crossword Culture Vulture Answers.Daily Themed Crossword Around the World Answers.Daily Themed Crossword Celebrating Women Answers.Daily Themed Crossword Introducing Minis Answers.Many of us, writers or not, might benefit from the practice of imagining more favorable histories, and also better lives. In the short story “ Shanghai Murmur” by Te-Ping Chen, the protagonist, Xiaolei, envisions alternate versions of her life, making, for a moment, her desires into reality. The act of retelling doesn’t apply only to stories from the past. Hannett, a “group of self-proclaimed pagans seemed to dread his inevitable misunderstanding of their religious beliefs,” although the book hadn’t yet been released. The announcement of Neil Gaiman’s adaptation of Norse myths stirred up a debate about whether he had a right to these stories. But revisiting an existing story can sometimes be more complicated. Kennedy is a third-term president and has launched a mental-health initiative for traumatized soldiers-one based on the notion that narrating, and reliving, traumatic events can help erase them, writes Amy Weiss-Meyer. In his novel, Hystopia, David Means takes us back to 1970 America. In doing so, she highlights “ how differently history treats men and women,” as Sophie Gilbert writes, and prompts readers to wonder, “How many stories like this one remain to be told?”Īuthors might revisit past events through fiction as a way of examining historical trauma. In Pat Barker’s The Silence of the Girls, the novelist imagines the Trojan War from the perspective of Briseis, a minor female character in the Iliad who is taken as a slave by Achilles.

Or one might choose to give a voice to those who have been silenced by history. One might find in that rewriting an opportunity to recast a celebrated figure as a villain, as in Daisy Lafarge’s novel, Paul, which “uses the thoroughly contemporary story of a traumatized graduate on her European gap year to boldly reinterpret Gauguin’s life and legacy,” according to Ella Fox-Martens, and forces us to ask why we’re still selling and consuming the artist’s work. Sometimes writers draw from older stories-myths, histories, ancient epics-when crafting new ones. Works of fiction don’t always appear out of thin air.

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